

#LUCIO TAPEDECK SPRAY PORTABLE#
Cassettes became extremely popular for automotive and other portable music applications. Eventually the reel-to-reel recorder was completely displaced, in part because of the usage constraints presented by their large size, expense, and the inconvenience of threading and rewinding the tape reels - cassettes are more portable and can be stopped and immediately removed in the middle of playback without rewinding.
#LUCIO TAPEDECK SPRAY MANUAL#
Tape recorder audio-quality had improved by the mid-1970s, and a cassette deck with manual level controls and VU meters became a standard component of home high-fidelity systems. Įarly recorders were intended for dictation and journalists, and were typically hand-held battery-powered devices with built-in microphones and automatic gain control on recording. The tape width was 1⁄ 8 inch (actually 0.15 inch, 3.81 mm) and tape speed was 1.875 inches (4.8 cm) per second, giving a decidedly non Hi-Fi frequency response and quite high noise levels. The "compact cassette" (a Philips trademark) was introduced by the Philips Corporation at the Internationale Funkausstellung Berlin in 1963 and marketed as a device purely intended for portable speech-only dictation machines. Both RCA and Bell Sound attempted to commercialize the cartridge format, but a few factors stalled adoption, including lower-than-advertised availability of selections in the prerecorded media catalog, delays in production setup, and a stand-alone design that was not considered by audiophiles to be truly hi-fi. At that time, reel to reel recorders and players were commonly used by enthusiasts, but required large individual reels and tapes which had to be threaded by hand, making them less-accessible to the casual consumer. The first consumer tape recorder to employ a tape reel permanently housed in a small removable cartridge was the RCA tape cartridge, which appeared in 1958 as a predecessor to the cassette format. A typical portable desktop cassette recorder from RadioShack.
